This is probably a no-brainer for most piano teachers, but sometimes my brain works more slowly than usual. While explaining dynamics to a student this week, I simply correlated it to our speaking tones.
p=whisper
mp=talk softly
mf=normal talking
f=loud talking
ff=shouting!
It worked like a marvel, he played the whole piece with very good contrast. I may even try to make a poster for my studio to help beginners learn the differences in dynamic expression. :)
Laying a firm foundation including theory, sight reading skills, ear training and technique for students to build on.
Wednesday, June 26, 2013
Wednesday, April 24, 2013
You don't need to know that.....
...but isn't that wonderful that you do! While preparing for an annual syllabus exam, my student began demonstrating chord progressions in keys he wasn't required to know yet. My first response was to tell him not to worry about them. Then I almost bit my tongue and began praising him for how well he applied what he knew about chord progressions and asked him to show me more that he had figured out. I realized quickly I wasn't wasting precious review time, but rather he was showing me how well he was understanding the theory he had been taught. While discernment does need to be applied, I hope I can stop myself again when a student wants to deviate from what I think is necessary at the time and encourage exploration of their interests and accomplishments!
Monday, March 11, 2013
Another Quote on Winning
Winning is for a moment, but becoming better lasts forever.
I heard that on a cooking competition I watch frequently on television. The contestant wasn't discouraged that she didn't win, but rather looked for what she could gain from the experience to become a better chef. I recently entered students into our local MTA's Bach Festival, which is competitive, each student receiving adjudicator's comments. I tried to encourage them to enter the event, not to focus on winning, but to learn from the experience as they develop their skills. The feedback gave positive reinforcement, and some new ways to try performing their pieces. I think there are often winners who take away less than the "loser" who grows.
I heard that on a cooking competition I watch frequently on television. The contestant wasn't discouraged that she didn't win, but rather looked for what she could gain from the experience to become a better chef. I recently entered students into our local MTA's Bach Festival, which is competitive, each student receiving adjudicator's comments. I tried to encourage them to enter the event, not to focus on winning, but to learn from the experience as they develop their skills. The feedback gave positive reinforcement, and some new ways to try performing their pieces. I think there are often winners who take away less than the "loser" who grows.
Try 3, not 2
"Don’t correct mistakes, instead find the source of the error."
I came across this quoted quote of a quote on another piano teacher's blog this evening. It was exactly what I experienced with one student this afternoon. She knew her piece well, except for one particular measure with a broken inverted G chord. She understood the notes, knew what she was supposed to do, but hit it wrong every time. We took a look at the fingering, and decided using her third finger on the starting note instead of the second made more sense. We switched the fingering, and it was perfect! Every time! Yay!
The article I read today continued on saying that fingering was one of the biggest reasons the notes are played incorrectly. She also mentioned not noticing dynamic markings and articulations, or simply not knowing how they should sound when correctly expressed. I also tried this afternoon to go over a section of my student's song with a piano and forte section. We played it until she could make the contrast she heard me play.
I love this quote and this way of thinking. I often ask myself, Why is this student making this mistake? It pays to find out!
I came across this quoted quote of a quote on another piano teacher's blog this evening. It was exactly what I experienced with one student this afternoon. She knew her piece well, except for one particular measure with a broken inverted G chord. She understood the notes, knew what she was supposed to do, but hit it wrong every time. We took a look at the fingering, and decided using her third finger on the starting note instead of the second made more sense. We switched the fingering, and it was perfect! Every time! Yay!
The article I read today continued on saying that fingering was one of the biggest reasons the notes are played incorrectly. She also mentioned not noticing dynamic markings and articulations, or simply not knowing how they should sound when correctly expressed. I also tried this afternoon to go over a section of my student's song with a piano and forte section. We played it until she could make the contrast she heard me play.
I love this quote and this way of thinking. I often ask myself, Why is this student making this mistake? It pays to find out!
Monday, February 4, 2013
Reflections....
I think it is time for a little reflection and evaluation of being a teacher. Last week, I had two students stop taking lessons. Today, two students cancelled their lessons last-minute, and they are both families I consider "on the edge," meaning I wouldn't be surprised if they took a break from lessons as well. I am not sure what to think...is it me, something I am doing? Or do families simply take piano lessons lightly and not really want the commitment? I am trying to use these as learning experiences. The two students who have stopped were really too young for the methods I use to teach. I will have higher qualifications next time I evaluate a new student: they need to know how to read and write their letters (or better, are reading), they need to be able to play with all five fingers, and they need to be able to pay attention for at least 20-30 minutes. As for the students I have remaining, none of these things are an issue. Overall, I see a lack of motivation in my students. They don't eagerly go home to practice, they don't seem to care if they get any better, and parents don't seem to support the requirements of taking piano lessons. There are two recitals and an evaluation coming up in the next 3-4 months. I am hoping to really build this up, really get students excited and eager to learn their pieces. Maybe I need to reflect on what my attitude is towards these students...do I expect them to succeed? Or have I somewhat given up on them? Tomorrow is a new day...I pray I can face it with some joy and revival. I have to count blessings too: I have two new adult ladies starting this month. One has taken lessons previously and just needed some new direction; the other will be playing for the very first time. It's interesting how many adults I have - will some of these young students that have left reach 30 or 40 and wish they had kept taking lessons someday....? [And can I prevent the students I have now from this.] I am also becoming more active in the local Music Teacher's Assoc, which seems almost ironic as I am losing students! Hopefully, I will look back at this post in the future and understand more what was happening now at a time I could easily get discouraged, but choose to plod on....!
Monday, January 14, 2013
Stop! (And make them happy!)
My precocious 5-year old student was learning about whole notes and whole rests today. When we played the whole notes, I told him you have to give them a full four counts, or else they won't be happy. We then encountered whole rests, which he thought looked like a stop light. That's great, I said, because that's what you do when you get to one - stop playing and rest for four counts. Just like a whole note, they won't be happy if you don't give them four counts. He counted out his line, giving every whole note and whole rest it's full four counts. Are they happy? he asked. Yes, they are very happy!
Tuesday, January 8, 2013
A Break Doeth Good
Yesterday was my first full afternoon of teaching since the holidays, and I was pleasantly surprised (if not all-out amazed) at how well my students did! One young man, who had very spotty lessons through December, came prepared to play his last assigned song quite well. We had just introduced playing with hands together, and he has come so far on that. Another older beginner started thinking about how many words could be spelled out of just A-G. Though I was trying to introduce a song to him, I pulled out the flash cards instead (an idea from another blog) and showed him words from 3 to 7 letters. He's just learning where all the notes are too, so it was great to see him whiz through them. We got back to the song and discovered the first three notes spelled ACE! Many students received new books with new songs to learn, and all seemed eager to try. While consistent lessons are important, having some time off is needed to refresh and restore everyone!
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